Dioses Aka Gods
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Dioses aka Gods: A Review of Two Films with the Same Name
Dioses aka Gods is a name shared by two different films from different countries and years. The first one is a Peruvian drama from 2008, directed by Josuà MÃndez, and the second one is an Argentinean experimental film from 2016, directed by Gustavo Coletti. Both films explore the themes of religion, morality, and human nature, but in very different ways.
The Peruvian Dioses aka Gods follows the lives of a wealthy family on the coast of Peru, where they spend their summer in a luxurious villa. The film focuses on the two young siblings, Diego and Andrea, who are bored and restless in their privileged environment. They engage in various forms of rebellion and hedonism, such as drugs, sex, and violence, while their father, a successful businessman, tries to control them with his money and authority. The film also shows the contrast between the rich and the poor in Peru, as well as the influence of Catholicism and indigenous beliefs on the characters.
The Argentinean Dioses aka Gods takes place in a celestial brothel, where God and other deities have conversations and debates about their creation and their role in human history. The film is composed of long dialogues that question the concepts of good and evil, free will, sin, and justice. The film also challenges the conventional representations of God and religion, by showing them as flawed, humanized, and sexualized beings.
Both films are provocative and unconventional in their approach to the topic of gods and humans. They offer different perspectives and insights on the relationship between the divine and the mundane, as well as the moral dilemmas and existential questions that arise from it. They are both worth watching for anyone interested in exploring these themes in a cinematic way.
The Peruvian Dioses aka Gods was the second feature film by Josuà MÃndez, who is considered one of the most prominent directors of the new wave of Peruvian cinema. The film won several awards at international festivals, such as the Horizons Award at the San SebastiÃn International Film Festival and the Best Director Award at the Lima Latin American Film Festival. The film was praised for its realistic and nuanced portrayal of the Peruvian society and culture, as well as its complex and flawed characters.
The Argentinean Dioses aka Gods was the debut film by Gustavo Coletti, who is also a playwright and a theater director. The film was inspired by his own play of the same name, which he wrote and staged in 2014. The film was shot in a single location with a minimal budget and a small cast of actors. The film was selected for several festivals, such as the Calcutta International Cult Film Festival, where it won the Best Film on Religion Award. The film was acclaimed for its audacious and unconventional style, as well as its philosophical and metaphysical content.
Both films are examples of independent and original cinema that challenge the mainstream and commercial norms. They are both films that require attention and reflection from the viewers, as they do not offer easy answers or solutions. They are both films that invite us to question our own beliefs and values, as well as our place in the world. a474f39169